Monthly Archives: February 2011

Why Art is Important, Part Four: Role Models

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I’ve been thinking about that series that I did about the importance of art a while back. Recently, another reason that art is important occurred to me: seeking out reassurance that one is not alone.

The thing about the minorities that I belong to – being queer and being deaf – is that neither of them necessarily run in families. Sometimes there will be a family with a “deaf gene” or a queer person will have a gay family member, but I think the majority of people in both communities have straight/hearing families. If you are queer and/or deaf, you may have to seek out a community yourself if you’re interested in connecting with others like you.

Personally, I was lucky with regards to deafness – when I was a kid, my parents made every effort to expose me to the Deaf community. They gave me a million books about the Deaf community and Deaf history, they showed me ASL films, et cetera. They even found an older couple from the local Deaf community center to “mentor” me. My mentors would babysit me sometimes, they would sign to me, they would make an effort to include me in the Deaf community. After having heard the stories of some deaf people whose parents refuse to acknowledge their deafness or people who thought that they were the only deaf people in the entire world, I feel very lucky to have had this opportunity.

Queerness, on the other hand? Totally different story. I didn’t know any openly queer people growing up. I first suspected something was up when I was about fourteen years old, but I didn’t tell a soul for a few months. When I finally came out to my parents, they ignored it in the hopes that it would go away. Then they said pretty shitty things about God etc. I couldn’t drive yet, so I wasn’t able to get to the Pride Center because I lived in an area with no public transit. So, yeah, I felt isolated as a queer person for a while.

During that period, I relied pretty heavily on media – especially movies and, to a lesser extent, books and the Internet – to learn more about the queer community. I would wait until my parents fell asleep, then pop an LGBT-themed DVD into the TV and watch it on mute. I’d sit on the edge of my seat, hoping that my mom or dad wouldn’t wake up and ask me what I was doing. It helped, to some extent. Personally, I actually didn’t really mind the subject matter so much as the fact that it showed that queer people existed – I was disturbed by the horrible things that happen in movies like Heavenly Creatures and Boys Don’t Cry, but for me, just knowing that other queer people existed helped.
Still, the fact is, I didn’t really have many positive role models in the media, even queer-specific art. When I finally ended up hanging out with other queer kids in school, that did a lot more good. That, and reading non-fiction queer books. Later on, gaining my parents’ unconditional support was probably one of the best things ever.

It’s disappointing because, for me, there are potentially positive aspects to identifying with characters in media. For instance, when I first read Annie On My Mind by Nancy Garden, I immediately fell in love with it even though I couldn’t relate to being a lesbian. Finally, a book about gay teenagers falling in love that isn’t completely tragic! Sure, the ending isn’t happy for everyone in the story, but at least nobody dies. So, for a long time, I owned a dog-eared copy of that book just because it gave me hope that the world had good things in it.

I mean, our lives aren’t happy all the time – we go through a good amount of shit. I think artists have a responsibility to show the world some of the shit that happens. I can’t provide a solution in a package like “write more happy stories.” The best solution I can think of is to change society so that pain and death isn’t the norm for oppressed minorities; I don’t anticipate that being an easy journey at all.

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Ground Control to Major Tom

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Back when I was asking hearing people a million questions in an attempt to try to understand why they like music so much, one of the reasons they gave was that they associated music with places or events. Like “our song” – some couples have a song that reminds them of the time they fell in love.

Well, at the time, I didn’t really understand it. To me, it seemed odd to remember where you had heard a song because, based upon my experience with consuming other media, it seemed like such an irrelevant thing.

For example, when I think of the first time I read one of my favorite books, Lathe of Heaven by Ursula K. LeGuin, yes, I can remember the first time I read it. I had just finished an AP exam early, which was held in our high school library, and I was bored. They wouldn’t let us out until the exam was formally over, so I grabbed the nearest book. Who cares? When I describe the book to friends, I don’t talk about that; instead, this is what comes out: “It’s a really cool story about a power-hungry psychiatrist in, like, Seattle, in a dystopian future, who tries to change the world when he discovers that his patient’s dreams change reality, oh, and btw, you really should read it right now.”

So, I reasoned, wouldn’t music be the same way? You remember the content, not where you first heard it.

At this point, though, I have to say that the idea that people associate songs with events makes more sense to me now because of one of those small, inconsequential events that ends up becoming meaningful later on occurred last fall.

Album cover of Space Oddity by David Bowie.
When my parents lived in the South, the plant that they worked at was an hour’s drive away from my parents’ home. It is in one of those rural towns where the population of the local Wal-Mart is larger than the surrounding county.

One day, my father drove me down to the plant to show it to me. During the drive, my father played some music. I don’t remember what I did – I probably stared at the pines zipping by outside because, to my eyes, the tall skinny pines of the South are exotic and beautiful plants.

After several moments of no conversation, I noticed that I liked what my dad was listening to better than what my mom usually plays – she has played the Greatest Hits by Queen so many times that I’m surprised she hasn’t burned a hole in the CD at this point. Queen is nice, but, seriously, after hearing it for the millionth time, it gets old. So I asked him what he was listening to.

He explained that it was Space Oddity, then began translating the lyrics for me. “Ground Control to Major Tom…” He waggled his fingers to indicate that there was an instrumental solo, then put his hands back on the steering wheel. “Take your protein pills and put your helmet on…”

As he was interpreting, I realized that he knew the song so well that he could have sung along. You see, most times, when people interpret, there is a lag. Their brain needs time to process what was being said and then re-assemble the spoken data into visual output. My dad didn’t lag for this song; he was right on the cue for the lyrics. So, obviously, he probably liked this song a lot.

It’s interesting – my dad is so into astronautics that he will actually flip to the NASA broadcasting channel and watch the boring-ass parts of space missions, like Day 16 of Obscure Vessel’s 100-day mission. If he passes a space museum, he is physically incapable of resisting its lure and inevitably finds himself in the building. He still tells me about when he and his college buddies built a homemade radio for the sole purpose of listening to the broadcast of the first man on the moon. I mean, in high school, he was in a rocket club.

This is the same man who likes a David Bowie song about a suicidal astronaut. So it makes me wonder. What does the song mean to him? Did the song get my dad through some tough times in his life? Who knows? I should ask him at some point.

What I do know is that the song was a kind of a father/son bonding moment. In my life, that’s a really special thing that’s only begun to happen very recently. Every time my father and I have a father/son bonding moment, I cherish it a lot because it wasn’t that long ago that I came out to my parents and they nearly disowned me. Also, there’s the fact that it was a David Bowie song – Bowie is super queer, right? I mean, he wears makeup. Yet my dad likes this song. Therefore, the fact that my dad likes Bowie makes me feel even safer around my dad.

That’s why, when I re-discovered Space Oddity last week and found out that, yes, I still do like it, even when I’m in my apartment in this world of concrete and cold stares instead of in a car zipping by loblolly pines, I immediately thought of my father.

So, yes, now I understand what hearing people were talking about when they said that songs evoke memories for them. I think that part of it comes from being an older person and having more years of experience to relive; part of it comes from listening to music for years and years – but that’s just my theory. Whatever it is, I know that the instrumental solos in the first verse of Space Oddity will always make me think of my father waggling his fingers in time to the music.

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Art AYA: My answers

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For last week’s AYA, I asked:

  • What is your favorite form of art? For example, do you like paintings best, or do you prefer to watch films? Feel free to define ‘art’ as you see fit.
  • Do you gravitate towards art with a specific mood? For example, do you like bleak, depressing music better than happy music?
  • How do you approach art? For example, do you prefer to look at a painting from an intellectual, detached standpoint, or do you prefer to immerse yourself in fabric art, touching it and smelling it?
  • For that matter, why do you consume art? Are you the type who likes intellectual stimulation, or do you just want to turn off your brain and watch a silly disaster movie after work?
  • Do you enjoy more abstract art, or do you prefer something with a little more structure?
  • Are you more interested in analog or digital art?

My answers:

  • My favorite form of art is probably literature. I love to read. A lot. Recently, I’ve found myself enjoying music because it’s easy to squeeze into a short amount of time. I also like music videos, but I don’t feel like there’s a ton of good ones. Same with new media. And, of course, I like movies, but they take forever to get through and are non-portable.
  • It depends on my mood, in all honesty. Like, if I’m pissed, I tend to go straight for something like punk, emo, or metal, but I’m normally a person who has extremely even moods. So it really doesn’t matter what mood my book puts me in. Caveat: If I’m intoxicated, or planning to be, I avoid heavy stuff so I don’t get all paranoid and depressed.
  • I love immersing myself in art. When I’m watching a movie, that’s the only thing in the world that I want to focus on. When I’m reading a book, I lose track of where I am. I’ve done this ever since I was a child.
  • I consume art because I like it and because there’s not much else to do in a place that has so little to offer nature-wise. Sometimes I want it to jump-start my brain; sometimes I just want to laugh and forget all my troubles.
  • I actually used to love conceptual art a lot. Recently, though, I’ve become tired of all this “deconstructing” and I admire technical skill more than the story behind the piece of art. If I watch some new media piece that’s really technically skilled yet abstract, then, well, that’s awesome. But if it’s a Rothko painting that exists solely to prove that colors have an effect upon the viewer – no thank you.
  • It depends on my mood. I love having things I can carry around physically with me, like a book. However, I find that a lot of the art that I consume is electronic. That’s the 21st century for you, I guess.

That wasn’t the best AYA. Thanks for bearing with me, y’all. I have a post scheduled for next Monday; until then, have a happy weekend.

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RSS Snafu?

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Hey, I heard a rumor that this week’s AYA wasn’t appearing on Google Reader. So, if you want to answer it, it is here.

Also, the old version of Imagining Music appeared on Google Reader; I’ve since updated it.

Let me know if I’m totally wrong and your RSS reader actually did receive the posts correctly.

Thanks y’all. Actual content coming soon <3

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Imagining music

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One day in grade school, we had a “music visualization” assignment. I don’t remember what class it was for, but the prompt was to listen to a sample of music and then draw what the music made us imagine.

Even though my hearing aids provided really sucky sound1 I gamely gave it a go. I don’t even know what the hell we listened to. It kind of sounded like air or water whooshing in parts. So I drew a toilet because it made me think of a toilet flushing and blissfully went on to draw random non-related crap all over my paper.

After a while, the teacher told us to put down our pencils and markers, then asked volunteers to share what they had drawn with the class. One student said, “I drew a whale being harpooned because it sounded like a harpoon gun so it made me think of that.” Immediately, I felt like an ass because I had mistaken such a serious and weighty subject for something as silly as a flushing toilet. Obviously, making such a fundamental mistake meant I could never interpret music correctly.

An individual with a mohawk buries hir face into hir hand out of shame.

Recently, I was listening to a concept album – I love concept albums – by Ayreon named Into the Electric Castle. Ayreon does progressive metal and, basically, the album is an opera. There’s this whole cast of characters who sing the story, and there are spoken portions. I found the lyrics and read along with the story. Seriously, I think it’s beyond cool.

Anyway, I want to talk about this song called Mirror Maze. I’ve embedded the video. You can watch it and see if you think it is as awesome as I do. Click here to read the lyrics. Go on; I’ll wait for you.

Are you back yet? OK, good. The reason I bring up this song, beyond the fact that it’s just awesome, is the fact that I could visualize some of the stuff happening.2 For instance, I could imagine them going through the mirror and to the other side.

I’ve never had that experience before, and it kind of makes me think of reading a book. I don’t know about you guys, but when I’m reading a book, I can sometimes visualize what is happening as if it’s a movie. When I was a kid, I barely even saw the words because the pictures in my head telling the story were a lot more overwhelming than the words.

A few years ago, that kind of immersive experience would have been unthinkable for me. I mean, hell, I didn’t even like music. In my mind, visual, tactile, and auditory experiences were completely different and compartmentalized in very distinct categories with absolutely no overlap.

So, later on, when I began to try to understand music, it was kind of like a puzzle for me. Why do hearing people like this so much? Well, I’ll apply my mind to this question and figure it out! Last week, I wrote about the emotional aspect of discovering music – well, another part of it was that I also applied my intellect. Since I didn’t really have a directory of songs in my head yet, I made a conscious effort to think of things to associate music with things that actually had meaning to me.

I started simple – this series of tones in this chiptunes song makes me think of lights blinking. This portion of Many Moons by Janelle Monae makes me think of the corresponding portion in the music video. Things like that. Then, before I knew it, I was imagining more abstract shit to go along with the music like red waves to go along with the instrumental opening of Sly by Massive Attack. And, interestingly enough, I’ve found there are some concepts, like the opening of Only You by Portishead that I just can’t express visually or in text – I think of the song sample instead. A hearing friend once told me that music was like a way to send emotions over the air. Now I understand what she meant.

At this point, I’ve been listening to music, really listening to it, for about a year or so at this point. In that time, I’ve listened to… God, I don’t even know how many songs. So many. So I’ve built up this kind of a database in my head with song associations, and every new song I hear is another variable in this gigantic equation. Every day I listen to music, I find greater meaning in it.

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  1. Later, after getting my cochlear implant, I would compare the audio from my hearing aids to hearing things underwater. Who knows if that comparison is accurate or not – delicate electronic equipment + water = bad, so I’ve never really experienced hearing things underwater. []
  2. Before you ask, I was 150% sober listening to the album. []
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AYA: Describe your taste in art.

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Welcome to the semi-weekly AYA. If you’ve been following along for a while, you’ll know that I make no judgments about taste. Your favorite movie could be Pluto Nash or it could be Casablanca; I don’t care. With that in mind, here are some questions to get you started.

  • What is your favorite form of art? For example, do you like paintings best, or do you prefer to watch films? Feel free to define ‘art’ as you see fit.
  • Do you gravitate towards art with a specific mood? For example, do you like bleak, depressing music better than happy music?
  • How do you approach art? For example, do you prefer to look at a painting from an intellectual, detached standpoint, or do you prefer to immerse yourself in fabric art, touching it and smelling it?
  • For that matter, why do you consume art? Are you the type who likes intellectual stimulation, or do you just want to turn off your brain and watch a silly disaster movie after work?
  • Do you enjoy more abstract art, or do you prefer something with a little more structure?
  • Are you more interested in analog or digital art?

Go for it. And, as always, these questions are just templates; feel free to answer as you see fit.

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Rewriting history or filling in the blanks?

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Stevo lies on bed, musing, "If the guy I was then met the guy I am now..."

When I was a teenager, I began to figure out my sexuality. I wanted guidance but couldn’t find any real-life help, so I began to read memoirs written by queer adults. One thing that struck me as a teenager about the memoirs was that they were written by adults who had mapped out a certain narrative of their lives a long time ago. Basically, what these adults were doing was writing a history of their lives and, in the process, fitting events into a neat framework.

Before I go any further, I should explain that, as a teen, I distrusted the discipline of history in general. A sudden transition from fundamentalist Christian school, with one way of narrating the history of the world, to college-level AP history with a radically liberal version of the world’s narrative, led me to believe that the act of writing history was a lot like writing fiction: you strung together a bunch of lies to make a coherent and entertaining story. Seriously, going from “Jesus and God blessed this United States of America to serve as a model of Democracy and Freedom” to “Our Founding Fathers were probably atheists or, at most, Deists. Oh, and they owned slaves,” was a huge thing. I didn’t regain my trust in history until much later, when I began reading things like bell hooks.

Back to queer memoirs. A lot of the time, the authors would point to an incident that happened in childhood and then link it to their adulthood. For instance, I remember reading this narrative by a lesbian who said that she realized that she was a huge dyke because she liked softball as a kid. At the time, this method didn’t satisfy me primarily because I felt like the straight world had created this set of stereotypes – things like “lesbians like softball” – and queer people were relying upon those stereotypes to construct a narrative of their lives. Basically, I just felt that there had to be a more nuanced version of the story than that. So I essentially thought that queer adults were making up fictionalized versions of their lives.

In my eyes, queer adults who wrote memoirs were betraying their younger selves by jamming their histories into a neat little package to present to the world. It felt to me like they were distorting their histories by filling in the gaps of their lives with stereotypes. What I perceived as a stereotypical rendering of one’s life to neatly fit a framework bothered me. I wanted to read about queer people who didn’t fit in the accepted narratives. So, at the time, queer memoirs didn’t really help me figure out things.

Stevo lies on bed, musing, "he'd beat the shit out of me."

Fast-forward a few years later. I am now, more or less, an adult. I’ve become more comfortable with moving about in the world as a bisexual man.

I now have a more complicated relationship with stereotypes now than I did as a teenager. Back then, I saw the issue as more black-and-white: “Stereotypes are bad because they are grotesque caricatures.” But now, I think it’s a more murky issue than that. Who am I to say that the lesbian who played softball as a kid is wrong? Maybe she’s the most stereotypical lesbian on the planet Earth. And that’s okay; her narrative is no less valid than a queer person who steps outside of the box.1

And, guess what? Sometimes I find myself looking back at my younger years and saying things like, “Oh, yeah, this is where it all started.” I now find some value in exploring my past that I didn’t when I was a teenager. It’s not like rewriting my history – it’s more like filling in the blanks of a crossword puzzle. For example, I recently saw some old pictures of myself as a child. I looked at them and was amused because – let’s put it this way. I probably could have submitted them to the blog Born This Way. Honestly, it was pretty validating because looking at old pictures made me feel that I could trace the roots of my present identity to a young age.

Still, it’s a tricky line to toe. Sometimes, I do find myself rewriting my history. I end up talking about total shit like how I felt about sports as a kid. And then, later on, I say, “Wait a minute – what the fuck was that all about?” I mean, yes, I would sit and read in the outfield when I was on the team instead of playing ball. That is a fact. But did I really hate sports because I was secretly a gigantic faggot, or did I hate sports simply because I found reading to be a more enjoyable activity than sports? For me, the latter explanation rings more true.

I’m not interested in writing a memoir anytime soon. But sometimes I do look back at the events in my life and try to make sense of them. So I feel that, while doing this, the key is to ask whether I am preserving the integrity of my former selves. In other words, if the person that I was then met the person that I am now, would he beat me up? I would hope not. Now, I have changed and evolved, which is a good thing. I wouldn’t want to be exactly like my former self because that’d just lead to stagnancy. Still, I feel an obligation to get my past self’s story right. The last thing I want to do is betray him.

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  1. It’s more visible, which can be an issue if it takes up so much space that it crowds out the narrative of a less mainstream queer person. But that’s another topic altogether. []
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