Since things have been busy lately, it’s been a little while since my last post. I always feel a little unsure as to what to say when it’s been a while, and I just became a mod of fydeafies.tumblr.com, so I am having some stage fright.
I guess I will start by talking about a movie that I recently rewatched: Wild Zero.

As you can already see, this is an amazing movie.
I’m not going to lie – I love the movie. It’s pure trashy fun at its finest. Basically, it is about the coolest band saving the world from alien zombies. Actually, there is an excellent (and spoiler-filled) summary of what Wild Zero is all about here. I recommend that you go read it right now because Chris Sims is hilarious and does a great job of explaining why I love it.
However, although Chris Sims covered many of the most essential parts of the movie, he did not do justice in his discussion of the character named Tobio. For example, he forgot to include the fact that Tobio and the main character, Ace, end up in a relationship by the end of the movie. So I’m gonna talk about her in this entry. Spoilers follow, of course.

Fair warning.
I’m going to start out by saying that Tobio is a trans woman. When I think about the portrayal of Tobio, I honestly have very mixed feelings. Keeping in mind that I’m not a trans woman, I think it is important to talk about Tobio because trans people are such a marginalized minority in society.
On one hand, Wild Zero’s portrayal of a trans woman is super-positive in some aspects. Most notably, after Ace discovers that she is trans and freaks out, Ace’s mentor / spirit guide, Guitar Wolf, reminds him that he fell in love with this woman and that love “has no nationalities, borders, or genders!”

Ace accepts this advice, then goes to rescue her from the alien zombies. A bunch of stuff happens, then Ace proclaims his love for Tobio.


However, there are many negative aspects to Tobio’s character that trouble me.
For starters, she is what Julia Serano calls a “deceptive transsexual,” which is a negative portrayal of trans women in media:
“Even though “deceivers” successfully pass as women, and are often played by female actors (with the notable exception of Jaye Davidson as Dil), these characters are … positioned as “fake” women, and their secret trans status is revealed in a dramatic “moment of truth”. At the moment of exposure, the “deceiver’s” appearance (her femaleness) is reduced to mere illusion, and her secret (her maleness) becomes the real identity.”
-Julia Serano
Tobio fits this trope perfectly: The audience is not aware of the fact that she is trans until she rips off her clothes in the middle of the movie.
Speaking of, yes, she does rip off her clothes. Actually, it is implied that Tobio is somewhat of a nymphomaniac. When Tobio and Ace find themselves in an abandoned building, surrounded by zombies on all sides, Ace’s first priority is to find a weapon so that they can fend off the zombies. Not Tobio – she immediately gets undressed and tries to initiate sex.
I found this scene to be very insulting. One of the many negative stereotypes about trans people, particularly trans women, is that transitioning is a way to fulfill some sort of sexual fantasy. Think, for example, of Buffalo Bill in Silence of Lambs, who cuts up women to wear their skin after having been denied access to resources to transition. Also, gender roles come into play: men are supposed to be sex-driven, and women are expected to be the opposite. If a trans woman is “really” a man, the result is that she is portrayed as a hypersexual woman.
So, portraying Tobio as a hypersexual being who wants to get it on even in a near-death situation is, to me, another example of the insulting trope that trans women are sex-driven.
Despite the fact that Tobio’s portrayal is flawed, one thing that really stands out for me is that Ace came to accept Tobio fully. He fell in love with her and learned to embrace all aspects of her. I don’t know how Japan feels about trans women, but as an American viewer, I am immersed in a society that televises “man or woman?” contests on sleazy television shows, accepts “trans panic” as a legitimate defense for murdering an innocent woman, etc. I sometimes feel so overwhelmed by negative portrayals of trans people or portrayals of trans people being murdered (eg, Boys Don’t Cry) that it was a welcome change to see a happy ending in which a cisgender person overcame his initial transphobia to accept his trans lover.

When all is said and done, I feel that Tobio is a better portrayal of a trans woman than many others. But, as I discussed in Finding Personal Meaning in Art, minorities sometimes have to settle for breadcrumbs. The real question is: is the relatively positive portrayal of Tobio enough, or are we settling for breadcrumbs? That’s an open question, and I leave it to you to answer that.
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